meta data for this page
Differences
This shows you the differences between two versions of the page.
| Next revision | Previous revision | ||
| improv_games:commit_to_the_moment_with_emotinal_response [2020/02/14 18:35] – created luchorobi | improv_games:commit_to_the_moment_with_emotinal_response [2020/04/10 21:46] (current) – moved page luchorobi | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| - | ====== Commit to the moment and leave your emotional response lead you through your scenes ====== | + | [[improv_games: |
| - | + | ||
| - | <WRAP center round info> | + | |
| - | This page is based on and Ella Galt's workshop [[https:// | + | |
| - | </ | + | |
| - | + | ||
| - | Length: 2 x 3 hours \\ | + | |
| - | Punctuality: | + | |
| - | + | ||
| - | ===== Goals ====== | + | |
| - | + | ||
| - | Make choices with confidence and your scenes will flow! Discover that listening to your emotional response, yes or no, at its basic level, will easily lead you to next action, dialogue or focus change. Those overwhelming infinite possibilities will become managable and your scenes won't stall when your team is unsure of what to do next. | + | |
| - | + | ||
| - | The key skills to learn are: | + | |
| - | * Accept other' | + | |
| - | * Respond emotionallly | + | |
| - | * Reduce the choices to binary ones (yes or no) | + | |
| - | * Give your scenes a simple structure to relax and stop thing about what to do next | + | |
| - | + | ||
| - | ===== Recommendations ===== | + | |
| - | * Ask the students to explain their expectations before starting the workshop. This helps you understand what they are looking for | + | |
| - | * Ask for feedback after each games to see if the students grasp the goals of them | + | |
| - | * A short break of 5 minutes after 90 minutes gives smokers the opportunity to go outside and reloads the energy of the group | + | |
| - | + | ||
| - | ===== Punctuality Gift (Group ritual, not part of the workshop' | + | |
| - | * [[improv_games: | + | |
| - | * [[improv_games: | + | |
| - | * [[http:// | + | |
| - | + | ||
| - | ===== First three hours ===== | + | |
| - | + | ||
| - | ==== Being in the moment ===== | + | |
| - | This goal of this game is that students get into the mood of thinking more about others than themselves. | + | |
| - | + | ||
| - | * **Circle saying yes**: All players stand in a circle. One player calls other one by name (or eye contact if he don't know the name). The called player says " | + | |
| - | * [[http:// | + | |
| - | * [[improv-games_1_with_focus_on_status_games|3 Different Sequences with a cities, fruits and cloths (movements, drinks, food, animals)]] | + | |
| - | * [[https:// | + | |
| - | + | ||
| - | ==== Warm-up to be fearless about mistakes ===== | + | |
| - | Students learn not to care about making mistakes. | + | |
| - | * **Claping in triplets**: Player A clap to B. Then C has to clap to A or B. If a mistake is done, the game continues | + | |
| - | * FIXME | + | |
| - | + | ||
| - | ==== Trainig listening to the " | + | |
| - | Students learn to hear to their emotional response | + | |
| - | * **What comes next?**: In pairs one player tells a story full of actions. The second player makes the action and asks what comes next, when he established it. | + | |
| - | * **" | + | |
| - | * **Dream storytelling**: | + | |
| - | + | ||
| - | * **Telling a story with the help of your partner**: Players are in pairs. Player A tells a story in first person describing actions, emotions, places and wishes. Player B has to perform that story. After a while they change roles. :!: It can be noisy indoors | + | |
| - | * [[https:// | + | |
| - | * [[http:// | + | |
| - | * **Say one word in front of a supporting audience**: Every student comes one on stage and the last student gives him secretly a word to say in front of the audience. When he says it, everyone applauses congratuling him. Afterwards he gives a word to the next player | + | |
| - | + | ||
| - | ==== Warm-up after the break ===== | + | |
| - | * **Holding the plate**: Students move around the room randomly holding an imaginary plate on one hand. They can move around but the plate can't fall. They can pass the plate to the second hand and they must move their whole body in this game | + | |
| - | * [[http:// | + | |
| - | + | ||
| - | ==== Meaning of group scenes I ===== | + | |
| - | The goal is to learn what meaning gives the position of the players on the stage | + | |
| - | * **Naming the human sculture**: One player goes on stage in an abstract position. A second players comes and complements him in a second position. A third one comes a look for another position. When five players are on stage, the last player names the human sculture | + | |
| - | * Explain the students what is upstage and downstage and why to change hands when holding objects. You can use a group of players to show this | + | |
| - | * Explain the students not to give the don't give the back to the audience and to calculate where are the sight limits of the audience depending on their position | + | |
| - | + | ||
| - | ==== Streghen your group scenes I ===== | + | |
| - | Students will be aware of the other players on stage. Because we in Rice Cookie mix beginners with experienced improvisers, | + | |
| - | + | ||
| - | * [[http:// | + | |
| - | * [[http:// | + | |
| - | * [[improv_games: | + | |
| - | + | ||
| - | ===== Last three hours ===== | + | |
| - | + | ||
| - | ==== Being in the moment II ==== | + | |
| - | * [[improv_games: | + | |
| - | * [[https:// | + | |
| - | * [[improv_games: | + | |
| - | * [[https:// | + | |
| - | * [[special_improv_workshops: | + | |
| - | + | ||
| - | ==== Warm-up to be fearless about mistakes II ==== | + | |
| - | * [[improv_games: | + | |
| - | + | ||
| - | ==== Be confidence with your own improvising skills II ==== | + | |
| - | Make strong offers | + | |
| - | * [[https:// | + | |
| - | + | ||
| - | ==== Warm-up after the break II ==== | + | |
| - | * [[improv_games/ | + | |
| - | * [[https:// | + | |
| - | * [[https:// | + | |
| - | + | ||
| - | ==== Meaning of group scenes II ===== | + | |
| - | The goal is to learn what meaning gives the position of the players on the stage | + | |
| - | * [[http:// | + | |
| - | * **Group scene with decomposition of subgroups and correction of weaknesses**: | + | |
| - | * Balanced/ | + | |
| - | * One in front of a group, on a side of the group, behind a group means leading/ | + | |
| - | * **Laid out a conversation to an action choreography**: | + | |
| - | + | ||
| - | ==== Streghen your group scenes II ===== | + | |
| - | Students will be aware of the other players on stage. Because we in Rice Cookie mix beginners with experienced improvisers, | + | |
| - | + | ||
| - | * **Action+emotion and complementing action**: All players are in two rows. Players of row A start a scene with an action and a basic emotion (like happiness, sadness, eanger). Players on row B come to the scene an find a complementing action. They repeat it, until they are allow to talk. | + | |
| - | * **Actions in two tempos on stage**: Player A starts doing everyday activities on stage and changes the activity every five seconds while player B changes the activity every minute. Both players can talk with each other and justify the action change. The students in audience must observe what meaning conveys the tempo to the scene | + | |
| - | * [[improv_games: | + | |
| - | * [[improv-games_10_-_give_and_take_of_focus|Sit, | + | |
| - | * [[improv_games: | + | |
| - | * [[improv_games: | + | |
| - | + | ||
| - | + | ||
| - | + | ||
| - | LOL The group enjoyed these games | + | |