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Storytelling with salt and pepper

This page is based on Feña Ortelli's workshop Improvised Dramaturgy. Feña showed me a third role of improvisers which I usually ignore: The one of the dramaturge narrating the story. Feña does improv because he loves the magic coming from the connection with other people.

Length: 3 hours
Punctuality: Due to the nature of the topic, every participant must do exercises to be in the moment, I recommend to close the door after 20 minutes.

Goals

We all want to fill our stories and scenes with meaning. But do you we understand that our acting and directing skills as improvisers aren't enough for this lovely task? The key is to be a dramaturge and furnish those stories with a structure, characters with deep experiences and conflicts. We will focus on that dramaturge in us and how he/she enriches our storytelling.

At the end you will aknowledge that as improviser you not only have to have acting and directing skills, but also narrrative ones. You will build with confidence simple stores with complex characters and wnjoy the creation of those characters as much as setting the plot.

The key skills to learn are:

  • Three roles of an improviser
  • Importance of the dramaturge
  • Basic structure of a story
  • Building characters with experiences
  • Developing the plot, finding a triggering event and resolutions

Recommendations

  • Ask the students to explain their expectations before starting the workshop. This helps you understand what they are looking for
  • Ask for feedback after each games to see if the students grasp the goals of them
  • A short break of 5 minutes after 90 minutes gives smokers the opportunity to go outside and reloads the energy of the group

Punctuality Gift (Group ritual, not part of the workshop's topic)

Being in the moment

This goal of this game is that students get into the mood of thinking more about others than themselves.

FIXME

Structure of a story

Your three roles as an improviser

When we are on stage, we represent characters and interact with other players inside the scene (actor role) and we all determine when to start or stop scenes and when to leave or enter the stage (director role). To feel our stories with meaning we need to lay out a basic structure for the story, with its characters, normality, triggering events and work on the conflicts between the roles (dramaturge role). This last role is often ignore leading to difficulties to tell stories. When we tell a story we liked we don't know what we did right because I are unaware of the importance of dramaturgie.

Final tips

Games to play if there is enough time

Discussion

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